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Kathy
Lindholm Lane (Interactive Gateway Co-Director) Assistant Professor,
Kathy taught pedagogy and philosophy and criticism courses for the Department
of Dance (1994-2004). Kathy was the Co-Director of the Dance Education
program and was awarded the distinguished teacher award 2003. She was
a Teaching Fellow with the Lincoln Center for Applied Ethics. Kathy was
the founder and director of "Discover Dance," an on-campus creative
dance class for children. Kathy was on the Arizona Commission on the Arts
Artist Roster as a solo dance artist for six years and a teaching artist
for the national Wolf Trap Early Learning through the Arts program for
ten years. Kathy's research interests included elementary and secondary
dance curricula, interdisciplinary arts experiences, children's perspectives
on art and aesthetics, critical inquiry process, service learning, advocacy,
and dance education technology. Kathy presented papers and conducted workshops
nationally and internationally. Kathy was also the Project Director and
Dance Specialist for the television series, "Weaving the Elements
of Dance and Drama," which airs on public television. Tragically,
during the of Interactive Gateway research process, Kathy was diagnosed
with a rare form of cancer and died January 24, 2004 before she could
see the rewards of the completed project. Kathy is greatly missed, but
not forgotten. Her voice is very present in the work.
Reconstruction Specialists:
Pat Catterson & Valarie Mockabee
Pat
Catterson (Reconstructor) born in Indianapolis to professional
ballroom dancing parents, moved to New York City in 1968 after graduating
from Northwestern University with a B.A. in psychology and a minor in
philosophy. She presented her first full evening of choreography at Judson
church in 1970 and, subsequently, has created eighty seven dances, including
her solo program of fourteen portraits, “Please, Just Take It One
Life At A Time”. A Fulbright Scholar, she has received multiple
grants from the National Endowment for the Arts, the CAPS Program, the
Harkness Foundation, and the Ludwig Vogelstein Foundation. Her work has
been commissioned by companies, individuals, and schools, most recently,
LaGuardia High School for Performing Arts, Ohio University, Dance Theatre
of Oregon and the Eglevsky Ballet Company. In 1996 she was Dance Consultant
for the feature film "I Shot Andy Warhol". Formerly on the faculties
at Sarah Lawrence College, UCLA, and the Merce Cunningham Studio, she
has been a guest artist in schools all over the USA and in Finland, Norway,
Sweden and Italy. Currently she is on the faculty at The Juilliard School
and at Marymount Manhattan College. Recently she was Choreography Assistant
to Yvonne Rainer for her projects for Baryshnikov's White Oak Project.
Early in her career, Ms. Catterson performed with Ms Rainer, the Grand
Union, James Cunningham's Acme Dance Co. and the Judith Scott Dance Company.
Her most influential teachers have been Honi Coles, Charles "Cooky"
Cook, Frances Cott, Merce Cunningham, Viola Farber, Margaret Hills, Jocelyn
Lorenz, Martha Myers, Bessie Schonberg, and Judith Scott. Her eighty eighth
dance, “Crowd Pleaser” will be premiered at the Construction
Company in February in NYC. University where she teaches repertory from
score, technique, and Labanotation.
Valarie
Mockabee (Labanotator) received her B.F.A. from The Juilliard
School, where she was a member of the Juilliard Dance Ensemble, her M.F.A.
from Texas Woman's University, and is a Certified Teacher of Labanotation.
She toured with Lincoln Center Institute Touring Programs for four years
serving as dance captain, and performed with The Dallas Opera and Sharir
Dance in Austin, Texas. She has set works on the national companies of
Peru and Ecuador and the Jakarta International School in Indonesia, as
well as Booker T. Washington High School for the Performing and Visual
Arts, University of Texas at Austin, and Ohio State University. Valarie
has directed works from score by Taylor, Humphrey, Momix, Sokolow, and
Petipa. She is a Candidate for Professional Notator Certification and
has notated and designed content for CD-ROMs that documented works by
William Forsythe, Bebe Miller, and Vicky Shick. She is an Associate Professor
at The Ohio State University.
Research Assistants:
Jennifer Walker, Nancy Happel, Apryl Seech, Sara Anderson, Melanie Mitchell
Nancy
Happel (webcast specialist, designer) is a graduate student at
Arizona State University focusing on dance performance telematics. Nancy
has performed with various dance companies throughout the United States
and Canada, most notably with the companies of Zvi Gotheiner and Anna
Sokolow. She is currently finishing her work towards a Masters in Dance
and Technology at Arizona State University, and is the recipient of a
Jacob Javits Fellowship. Nancy designed and implemented the National Dance
Education Organization website with Dr. Mila Parrish and taught web development
and design in the 2001 ASU Dance Education and Technology intensive summer
workshop. In January, Ms. Happel presented a 30-minute duet in Tempe,
Arizona in which the performance of one of the dancers occurred in Bellevue,
Washington.† The live performance occurring in Bellevue was webcast
in to the theater space at ASU. Each dancer, working in a telematic setting,
was able to see and respond to each other, creating an ethereal, evocative
and deeply layered space.
Apryl
Seech (videographer) is a graduate student at Arizona State University
focusing on interactive media and new media performance. Apryl received
her Bachelor's degree in dance from Eastern Michigan University in 1994.
Apryl's work has been presented in various Bay Area venues such as, ODC
Theater Dance Mission and Venue 9. In 1998, Apryl co-founded, Spinning
Yarns Dance Collective (SYDC) with choreographer, Susan Donham. In 2001
SYDC in collaboration with Right Brain Performance Lab created the Terraffirma
project. Funded by the Zellerbach Family Fund, the project comments on
the real estate crisis that gripped San Francisco from 1998-2001. Currently,
Apryl is exploring the integration of new media and dance. She believes
this concentration into digital technology adds another layer to her creative
process, altering the way she thinks about her environment. Apryl shares
her enthusiasm for mediated dance with her peers and students through
teaching.
Jennifer
Walker (research/teaching assistant) is a graduate student at
Arizona State University. She received her BFA in Modern Dance Performance
from the University of Oklahoma. Jennifer is the primary teacher and coordinator
for the K-12 community dance program Moving Inventors at ASU. She is the
curriculum developer and primary instructor for the Body in Motion: The
Movement of Human Physiology, and the ASU program for gifted youth. She
is a formally artistic director of Jennifer Walker and Company in New
York City. Member of the Jacksonville Ballet Theater in Florida, Dance
Theater in Florida, Modern Repertory Dance Theater in Oklahoma, and Steven
Koplowitz and Company in New York City. In 1997 she received the Scott
Salmon Modern Choreography Award for her work, towards the Light. In 1998
she received the Ovation Award for achievements in performance and choreography.
Her work has been presented in New York, Florida, Oklahoma, and Arizona.
Jennifer’s research interest focuses in choreography and dance education
and technology.
Sara
Anderson (research assistant) received her BFA in dance with
K-12 certification from Arizona State University. She is currently the
dance education specialist at Skyline High School. She entered the Interactive
Gateway project as a participant in her Sophomore year and is honored
to continue in this work as research assistant in curriculum for Dr. Parrish.
Sara looks forwards to implementing this curriculum with her high school
students.
Melanie Mitchell (research assistant in documentation
and editing) received her BFA in choreography at Arizona State University.
Her choreographic work is intense, abstract and athletic creating a dimensional
painting for audiences to experience. Melanie has committed her time to
the Interactive Gateway project as a digital sound and video editor. Melanie
joined the research team to capture, sequence and organize historical
documentation. Ms. Mitchell’s choreographic and film work has been
presented nationally at both festivals and University venues.
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