Rubrics for Singing Performance, Early Elementary
Variations on "This Old Man"
Version 1 -- Children's voices and accompaniment
Version 2 -- Bob Dylan (on the CD FOR OUR CHILDREN, Disney)
Version 3 -- The King's Singers
(Note: All available also in the Grade
1 text and recordings of THE MUSIC CONNECTION, Silver Burdett Ginn/Scott
Foresman, Publishers. 1995)
Skills
A. Moving to the steady beat
3. Maintains consistently
2. Mostly consistent; sometimes wavers
1. Cannot yet sustain
B. Singing in tune
3. Sings on pitch
2. Sings above or below pitch
1. Speaks or chants instead of singing
-- No response yet
Knowledge
Comparing and contrasting two versions of the same song
3 Includes all important characteristics
- differences: voices, instruments, tempo, style
- similarities: "song," melody, words
2 Includes most characteristics, including both
- similarities and differences
1 Excludes some critical elements or only a few responses
Adapted from Marzano by Sandra Stauffer, ASU
School of Music
Instrumental Performance Rubric
Middle School, Julie White- Hester, Tanque Verde Schools, Tucson
Name _________________________ Date _____ Grade ____
Scale: ____ Selection: ______________________
| |
5 |
4 |
3 |
2 |
1 |
| Rhythm |
______ |
______ |
______ |
______ |
______ |
| Notes |
______ |
______ |
______ |
______ |
______ |
| Articulation |
______ |
______ |
______ |
______ |
______ |
| Tone |
______ |
______ |
______ |
______ |
______ |
| Steady Beat |
______ |
______ |
______ |
______ |
______ |
| Posture |
______ |
______ |
______ |
______ |
______ |
Rhythm: counting, correct duration of sounds and rests in relation
to the beat and to each other.
Notes: correct pitch and fingering, observation of the key signature.
Percussion: note reading on bells.
Articulation: tonguing and slurring, observation of staccato, legato,
accents, etc.. Percussion: execution of flams, rolls, etc..
Tone: sound production, embouchure (mouth position), playing in
tune. Percussion: correct grip on sticks.
Steady Bead: even, appropriate tempo (speed) throughout piece.
Posture: sitting up straight and using correct hand and head positions.
5 = Excellent: no errors or irregularities; continue on present course.
4 = Very Good: no more than 3 errors or minor irregularities; practice
performing the test at home.
3 = Good: no more than 5 errors, but skills need refinement; pay closer
attention to details while practicing.
2 = Fair: skills need significant work; more consistent practice time
is needed at home.
1 = Poor: significant problems with skills; daily practice and private
lessons may be a solution.
Behavior
| The student: |
always |
usually |
sometimes |
seldom |
| is quiet and listens when the teacher is talking |
______ |
______ |
______ |
______ |
| demonstrates a positive attitude |
______ |
______ |
______ |
______ |
| shows progress and prepares music well |
______ |
______ |
______ |
______ |
| is self motivated |
______ |
______ |
______ |
______ |
| arrives to class on time |
______ |
______ |
______ |
______ |
| works well with others |
______ |
______ |
______ |
______ |
| Number of days: |
|
| without proper equipment for band |
_____ |
| sent out of class for improper behavior |
_____ |
Generic Music Rubric Assessing Ensemble Performance:
Vocal and Instrumental, Elementary, Middle School and High School (Assessment
in Vermont, Tony Pietricola)
Beginner. When playing or singing simple songs, ensemble shows:
- little demonstration of pitch rhythm, or technique
Advanced Beginner. When playing or singing simple songs, ensemble
shows evidence of:
- accurate combinations of pitch and rhythm
- characteristic timbre
- articulation that is appropriate to piece
- rhythmic fluidity
Intermediate. When playing or singing pieces, ensemble demonstrates:
- accurate combination of pitch and rhythm
- characteristic timbre
- articulation that is appropriate to the piece
- rhythmic fluidity
And ensemble shows evidence of:
- combined use of pitch, rhythm, melody and harmony
- intonation
- blend
- balance
- phrasing
- dynamic contrast
Advanced Intermediate. When playing or singing increasingly complex
pieces, ensemble demonstrates the elements and techniques of the previous
levels plus:
- well developed ensemble skills
Advanced. When playing or singing increasingly difficult pieces, ensemble
demonstrates the elements and techniques of previous levels plus:
- advanced ensemble skills as demonstrated by a cohesion of tone, technique
and rhythm
- employment of all aspects of musical expression to communicate an
intended musical outcome
Distinguished. When playing or singing increasingly difficult pieces,
ensemble demonstrates the elements and techniques of the previous levels
plus:
- the entire ensemble functions as one
- goes beyond the basics to create a unique, expressive voice
Vocal Music Performance Assessment High School
Glendale Union High School, 2000
Student Directions
The following steps must be completed in class under the teacher's supervision.
You will be allowed as much class time as necessary to complete this assignment.
1. Review the Rubric so that you thoroughly understand the prerequisites
and criteria for your evaluation.
2. Listen to the recording of your choir's performance.
3. While listening, pay special attention to the five musical elements
of:
- diction
- dynamics
- correct pitch
- phrasing
- rhythm
4. Choose any two musical elements to evaluate the performance.
5. Note on the musical score, areas where you hear problems in the performance
or a good job with the two elements you have chosen to write about.
6. Organize your thoughts using one of the graphic organizers included
in this booklet.
7. Write a rough draft of your evaluation on the lined paper at the
back of this booklet. Proofread and edit you draft.
8. Refer to the Rubric to be certain that you have satisfied all the
criteria.
9. Write your final draft on the district theme paper that your teacher
will give you. Be sure that you are writing in blue or black ink.
Vocal Music assessment Musical Elements
Diction
- Distinct consonants
- Clear beginnings and endings of words
- Correct vowels
- Correct diphthongs
Dynamics
- Appropriate louds and softs
- Use of crescendos and diminuendos
Correct Pitches
- Singing the written note
- Singing the correct part
- Singing the correct octave
Phrasing
- Breathing at the appropriate punctuation mark
- Not breathing in the middle of a musical thought or word
- Carries the sound to the cut-off
Rhythm
- Appropriate duration of notes and rests
- Appropriate attacks and releases
Graphic Organizer
- Introduction
- Identify the title and composer of the piece of music you performed.
- Write a THESIS STATEMENT that mentions the two musical elements you
will use to evaluate your performance.
Body
- Write a TOPIC SENTENCE that identifies one of the musical elements
you chose and how well you performed it.
- Give a definition or explanation of the musical element.
- Cite an example within the performance (be specific) that demonstrates
your evaluation of the musical element.
- Explain how your example demonstrates your evaluation of the musical
element.
- Cite another example within the performance (be specific) that demonstrates
your evaluation of the musical element.
- Explain how your second example demonstrates your evaluation of the
musical element.
- Suggest a method to improve or maintain your performance of the musical
element.
Body
- Repeat the above steps for the second element you are evaluating.
Vocal Music Ruberic
Prerequisites:
- Written in a legible hand
- Written in blue or black ink
- Written on District theme paper
| |
Outstanding
|
Highly Successful
|
Successful
|
Not Yet Successful
|
| 1. Definition
or description of the musical elements. The student: |
demonstrated
a thorough understanding of the musical elements. |
demonstrates
a good understanding of the musical elements. |
demonstrates
some general understanding of the musical elements. |
demonstrates
no understanding or an incorrect understanding of the musical elements
|
| 2. Examples
and explanation of the musical elements within the performance. The
student: |
specifically
refers to the musical score and thoroughly analyzes the specific strength
or weakness in his or her performance. |
refers
to the musical score and analyzes the strength or weakness in his
or her performance. |
makes limited
reference to the musical score and offers a general analysis of the
strength or weakness in his or her performance. |
makes
incorrect or no reference to the musical score and offers an incorrect
or no analysis of the strengths or weaknesses in his or her performance.
|
| 3. Suggestions
for improvement or maintenance of the musical elements. The student:
|
gives insightful
suggestions for the improvement of weakness or the maintenance of
strength. |
gives effective
suggestions for the improvement of weakness or the maintenance of
strength. |
give relevant
suggestions for the improvement of weakness or the maintenance of
strength. |
gives
irrelevant or no suggestions for the improvement of weakness or the
maintenance of strength. |
| 4. Language
Conventions |
The use
of spelling, capitalization and punctuation is virtually free of errors.
Sentences are correct and flow smoothly. Vocabulary is appropriate
and precise. |
The use
of spelling, capitalization and punctuation is relatively free of
errors. Sentences are correct and flow smoothly most of the time.
Vocabulary is appropriate. |
The use
of spelling, capitalization and punctuation is free of errors, for
the most part. Sentences are correct. Vocabulary is acceptable. |
Comprehension
is difficult because of multiple errors in spelling, capitalization,
punctuation or vocabulary. Sentences are incorrect. |
Multiple Choice Items
created by the Standards and Assessment Division of the Illinois State
Board of Education used musical notation as the motivation for questions.
This lead to quite challenging response alternatives that, in some cases,
demanded analysis, not just recall/description.

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