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Floor
Plans and Set and Costume Renderings
Use:
- To
teach students to draw and read floor plans and then draw the setting
- To
teach students to research the 'general look' for a period costume and
to draw and color a costume plate
Standards
- Theatre:
- Reserach, if necessary, the time and place of the scene
- Envision
an environment that will tell where and when the scene takes
place and that will set the mood for the performance
- Translate
ideas from a floor plan to a drawing of a place
- Draw
and color a costume plate
- Language Arts:
- Understand
the importance of setting for a story
Settings
http://artswork.asu.edu/arts/students/tb/06_03_floorplan.htm, recommended only if you have ample time Materials:
- Paper
- Straight edge
- Coloring medium - watercolor, crayons, felt tip markers, etc.
Your
Role:
- Select one scene from
a story, play or scenario for the students to use for creating a floor
plan, and set and costume renderings
-
Read the web text about
floor plans with the students
- Model drawing a floor plan on the board. Perhaps you can do a section
of the classroom or a scene from a story the children have read or
a scene they have dramatized. Discuss that the placement of doors
and furniture is important because the actors must move around in
the set and their actions must be seen.
- Help the students visualize the setting they will draw. Help them get a "bird's eye view" of the space and objects in the space.
- Hand out materials; circulate to answer questions, etc.
- Collect and write comments.
- Next day, return the floor plans
- Read the text about set renderings, drawings of a setting
- Model a floor plan and then next to that, a drawing of the set.
It is a bit difficult for some children to translate the bird's eye
view (map) of the setting to a frontal drawing.
- As you model the drawing, you may want to talk about perspective
in pictures. Things that are smaller in relation to other things look
father away. Show them this. Discuss that with a floor plan, the objects
that are in the back are farther away and may seem a bit smaller to
the viewer, therefore, they should be drawn smaller.
- Pass out materials. Have the students draw and then color their
settings.
- If the students are pleased with their work, ask them if they would
like to display their floor plans and the accompanying drawing.
- Critique the floor plans and drawings. Have students note which
drawings follow the floor plans. Discuss which setting and prop choices
will help the actors tell the story, which are interesting and imaginative.
Time:
- Making
floor plans, 20 minutes
- Drawing
the settings, 15-20 minutes
- Critiquing
the floor plans and settings, 10-15 minutes
Assessment:
- Did the students understand
the concept of a floor plan and how the plan related to a frontal drawing?
-
Did they plan and draw
a setting that would make the play's action visible and interesting?
Costumes
http://artswork.asu.edu/arts/students/tb/06_05_costumes.htm, highly
recommended for all students as they prepare to enact a character in a scene they will present to an audience
Materials:
- A Print
Figure or Print Model for each student
- Watercolors, crayons,
or felt tip makers
Your
Role:
- Have a period story or
play in mind for the students to draw costume plates
- Read the text at the costume
site with the students. Look at and discuss the costume plates. Compare
the kind of clothing worn then with what the students and their parents
wear now. With the older students discuss how job and social role affect
what people wore. Note these differences in the plates.
- Give the students the
Print Figure at the site if they will be drawing several
characters from a play. If they are going to draw a character they will
play, give each student a copy of the Print Model
at http://artswork.asu.edu/arts/students/tb/03_02_charactergame.htm
- Have the students show
their drawings to the class. Have them explain what costume pieces tell
when and where the play takes place. Have them explain what about the
costume visually explains their particular character, e.g. bright and
fancy because the character is wealthy; dark, tattered because the character
is poor, etc.
Time:
30-40 minutes
Assessment:
- The students' drawings
demonstrated their understanding that costumes communicate where and when
a play takes place.
- The students made costume
choices that illustrated information about their character: job, social
class, personality

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